Leave it to a guy like George Saunders to explain what writers do when they write in a completely new and pretty unique and totally fascinating and very meaningful way.
– via The Guardian
On a whim, I opened Twitter for the first time in months and the first thing I saw was a link to an interview with Kate Zambreno with the excerpt “I can’t speak for other writers, but you can’t let not knowing what you are doing stop you” which is exactly what I needed to be reminded of at that moment. The interview was great, and I got back to work feeling refreshed. Thanks, internet: that’s a rare win.
I’m not writing much these days. Or am I? It’s hard to say, because the words are everywhere: they wind up in little scribbles on receipts, in autocorrect-encrypted phrases on my phone, in no order whatsoever in one of three cool looking paper notebooks, as well as scattered among work in progress – a novella, a mutant short story, and half a dozen poems exhibiting every symptom of delusional thinking. But I guess that’s writing, right? Well then, I’ve been writing a good bit these days.
I think good narrative comes from observing the world and what happens inside yourself. The opportunity to move in and out of two realities, your inner world and the world outside of you, is what I find fascinating about writing. If you just want to tell stories, there are other ways, other media, to do so.
– Laia Jufresa in BOMB Magazine
I personally feel that no one gives a shit about my books — maybe I’m just a pessimist — and that idea feels horrible and refreshing at the same time. I feel ignored and doomed to anonymity, but free to do whatever I want within the sacred space of literature. I can very easily forget about the world, which has forgotten about me since the beginning, and write my stuff to be at peace and to better understand myself and my surroundings, without trying to please anyone.
– Daniel Saldaña Paris in BOMB Magazine