Because there’s no shortage of writing about politics (if thats still what we’re calling it these days), I’m especially refreshed when I read a new and well-considered viewpoint on what is, obviously enough to me and a few other people, more than an issue of ideology or personality. Our world is shaped by our decisions and behaviors, often in unexpected ways. Adam Thirlwell of the Paris Review does a great job here of relating ourselves to this world we’ve inadvertently created.
It’s hard to follow current events these days and not comment on them. I try not to follow things too closely (the constant breathlessness will eat you alive), I try not to become invested in the way the world progresses (after all, nobody cares what I think about things), and I try not to add my voice to the angry clamor (there are too many screaming voices as it is). But at a point one has to speak, somehow, no matter how ineffectively, to say THIS WAY OF CONDUCTING OURSELVES IS NOT OK. We cannot survive as a people of anger. We must be a people of compassion.
I have chosen to be a man of compassion. It’s not much, I know, but it strikes me as the only way to start making the world better.
Be well, and love always. It sounds cheesy, but there’s nothing in the world more important.
There’s a man on his cell phone in a stall of this upscale restaurant bathroom asking “how much the deposit was” and I wonder if there is such a thing as surreal anymore.
Life is not a contest of strength, but a function of grace.
It seems that the most sensitive souls are able to find the most beautiful things about the world, but that sensitivity is a tremendous vulnerability that many great writers have been unable to live with. Breece D’J Pancake was one of them. This story of his life from The Millions is both a sad and beautiful reminder of the terrible price of open eyes and an open heart. I can assure you, Pancake’s only book, The Stories of Breece D’J Pancake, pictured above, is worth a lifetime of re-readings.
These days it seems like the whole world is a highway lined with tourist traps: word got out that we’re all yokels on a long and confusing journey, ready to jump at the chance to purchase anything that reminds us why we’re so far away from home.
The world will not discourage you from operating on your default-settings, because the world of men and money and power hums along quite nicely on the fuel of fear and contempt and frustration and craving and the worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom all to be lords of our tiny skull-sized kingdoms, alone at the center of all creation. This kind of freedom has much to recommend it. But of course there are all different kinds of freedom, and the kind that is most precious you will not hear much talked about in the great outside world of winning and achieving and displaying. The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able to truly care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day. That is real freedom. That is being educated, and understanding how to think. The alternative is unconsciousness, the default setting, the “rat race” — the constant gnawing sense of having had and lost some infinite thing. I know that this stuff probably doesn’t sound fun and breezy or grandly inspirational. What it is, so far as I can see, is the capital-T Truth, with a whole lot of rhetorical niceties stripped away. You are, of course, free to think of it whatever you wish.
– David Foster Wallace, This is Water (pdf)
Just reading that you can imagine a little bit of how hard it must have been for Wallace to operate day in and day out with an awareness of the world this raw and difficult and intimate. I never met him, but miss this man sooooooo much.
Check out this review of an exhibition centered around the enigmatic (and beautiful) work of secretive artist Waclaw Szpakowski, who produced these drawings in isolation through the turmoil of the first half of the twentieth century. Art, artist, history, idea, form: it’s the work of art, so this is worth a read.
– via The Paris Review
This article on Nautilus is an amazing discussion of how theory and emotion mix, creating mathematics with troubling implications for how we see ourselves; raising the specter that even our best theories about the world are limited by our perspective.
I’m not writing much these days. Or am I? It’s hard to say, because the words are everywhere: they wind up in little scribbles on receipts, in autocorrect-encrypted phrases on my phone, in no order whatsoever in one of three cool looking paper notebooks, as well as scattered among work in progress – a novella, a mutant short story, and half a dozen poems exhibiting every symptom of delusional thinking. But I guess that’s writing, right? Well then, I’ve been writing a good bit these days.