The Restless Lens

Well, it’s Ninth and Hennepin

All the doughnuts have names that sound like prostitutes

And the moon’s teeth marks are on the sky

Like a tarp thrown all over this

And the broken umbrellas like dead birds

And the steam comes out of the grill like the whole goddamn town’s ready to blow

And the bricks are all scarred with jailhouse tattoos

And everyone is behaving like dogs

And the horses are coming down Violin Road and Dutch is dead on his feet

And all the rooms they smell like diesel

And you take on the dreams of the ones who have slept here

And I’m lost in the window, and I hide in the stairway

And I hang in the curtain, and I sleep in your hat

And no one brings anything small into a bar around here

They all started out with bad directions

And the girl behind the counter has a tattooed tear

One for every year he’s away, she said

Such a crumbling beauty

Ah, there’s nothing wrong with her that a hundred dollars won’t fix

She has that razor sadness that only gets worse

With the clang and the thunder of the Southern Pacific going by

And the clock ticks out like a dripping faucet

Till you’re full of rag water and bitters and blue ruin

And you spill out over the side to anyone who will listen

And I’ve seen it all

I’ve seen it all through the yellow windows of the evening train

– Tom Waits, “9th & Hennepin,” one of my favorite poems, which came to mind today when I crossed 9th Street, while driving down Hennepin, in downtown Minneapolis.